Théophile Gautier’s Petulant Rats of the Paris Opera
Last week I wrote about Edgar Degas’ most renowned sculpture, La Petite danseuse de quatorze ans. Degas’ portrayals of 19th-century dancers give us a window into the lives of young female professionals—a circumstance that was exceedingly rare. Referred to as rats, these budding ballerinas played a secondary and less desirable…
